Welcome everyone, to the official blog of Media Studies students of the City Campus. The major reason we opted for Media Studies as an elective was, that this course was the "most interesting" one amongst all other electives, and the major proof of this statement is that there aren't any 4 CGPA students here. So good luck, with all your creative and innovative ideas that will set new competitive standards each day without the fear of memorised lessons.


Therefore, open up your minds to all the diverse perspectives and pour your ideas, thoughts and progress in the various dimensions of Media Studies while working on assignments. Or, if you come across any intriguing phenomenon in interest for the entire class, be it videos, pictures, text, or your preferable selection, post it on this blog and share it with the class. I intend this blog would serve its purpose of updating you with the latest happenings in regard to this course. Good Luck :)

~ Komal Sultan, C.R.

Wednesday, April 13, 2011

Rashomon Movie Review

Not many films have earned the mandate of comparison any time a similarly-structured movie follows it, but any time a modern film is told from multiple perspectives, Rashomon is referenced. It has to be. Akira Kurosawa masterfully combines the testimony of four witnesses/participants in a rape/muder occuring in the woods in the era of feudal Japan. It all sounds straightforward at the start, but by the end, we're left to wonder exactly who's telling the truth, or even if the participants know what the truth is. The exploration of subjectivity has never been so thrilling, and Kurosawa is at his pinnacle as a filmmaker, framing testimony shots in earnest close-up and staging the flashbacks with inimitable grace. But of course it's not just a beautfully constructed movie, it's also a biting commentary on deceit, gender roles, and due process (not to mention Japanese culture). And every viewer is given the opportunity to draw his own conclusions.



The new Criterion disc remasters the film brilliantly. Most of us have seen aged VHS versions that don't do justice to Kurosawa's gorgeous camerawork. It's restored here, along with an introduction from Robert Altman (irony: Altman claiming Throne of Blood is 'more accessible' than Rashomon... as if any of Altman's films were 'accessible') and a commentary from Japanese film historian Donald Richie. Also included is a fantastic booklet, which includes the original short stories 'In a Grove' and 'Rashomon,' upon which the script was based.

Not only is the DVD highly recommended, it's a must-have for any serious DVD library.

Aka Rashômon

http://www.filmcritic.com/reviews/1950/rashomon/

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